Antiphon issue 24

Here it is!

We’re delighted to present Antiphon issue 24. We (and our contributors) have chosen a wide interpretation of our theme of ‘edges’ and it’s made for a very interesting issue. I hope you enjoy it!

Contents, issue 24

Act One

If By Light Sherre Vernon

The Chief Poisoner Will See You Now Ron Louie

Anxiety and Television News Lois Roma-Deeley

Fragment Rebecca Gethin

I’ve Split the Ash and Now I Read Anne Sexton Robert Carr    

Four Corners Where I See My Son Kate Rigby    

Marginal Matt Merritt

Narcissus Ponders Verge Lois Marie Harrod

Act Two

Chimera Mary Makofske

Argentea Marginata d’Ores&Deja

Passing Kathleen O’Toole

Grey Clouds Linda Opyr

Cartography of a Name Sarah Lao

True North Kathryn Gessner Calkins

Shetland Morning Kate Rigby  

Hadron Dale Wisely (read by Dale Wisely and Katherine DiBella Seluja)

Reviews
Sleepless, Julia Deakin
Near Future, Suzannah Evans
Multiverse: an international anthology of science fiction poetry
    edited by Rachel Plummer and Russell Jones

Act Three

Snails Patricia McCaw

Calder-Hebble Navigation Helen Boden

Shoreline D A Prince

Coastal footpath David Callin

Corpus callosum EJ Shu

Letter to C. Elizabeth Yalkut

With thanks to the workers of the Woodland Trust Luke Lankester

Driving through Golden Gate Park with an old friend Sara Streett

Act Four

Calling My Sister Elise Hempel

F(x) = 2/T Rita Rouvalis Chapman

All That is Recalled in This Stillness John Greiner

Great piece of turf Beth McDonough

Pond Heather Shakespeare

The Library Beyond the Wall William Stephenson

Of the like of the giver of guts Robert Wrigley

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Submissions to issue 24 now closed

10th January 2019: Please note that submissions to issue 24 have closed a day early as we have reached our Submittable submission limit. I’m afraid it’s a penalty of not charging you to submit; we’re not allowed an unlimited number.

We’re a victim of our own popularity. I’m not sure what the answer is to this; as a magazine run in our spare time, I’m reluctant to add handling financial transactions to the mix. We could pay contributors and charge for submissions, but I can see that doubling the workload. I’d rather we all had free access and concentrated on the poetry. Does anyone have any thoughts about this?

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